Tag: Kristine Nic Tallier

Component Entry, Female, Male, Unisex

Pants, Basic 2 Piece with feet

deveretallier
TitlePants, Basic 2 Piece with feet
Entry #GGC2021.005
Alternate NamesTrews, PJ pants,   
YearAntiquity-end of period
Time rangeAntiquity-end of period
Eraall
Genderunisex
regionall
Countries/culturesWestern European, Central European
MakerVincent De Vere,
Difficulty1
ConfidenceTheorized Reconstruction

Intro:

Simplified version of pants worn in many cultures and times periods from antiquity to the end of the SCA period         

Description:

One of the many variations of the pants seen in imagery from antiquity through to the end of the SCA period.   There are many works of art that do represent people in a variety of pants.  The garments can be documented and construction can be inferred in a variety of forms.  Many examples of surviving extant fragments were of wool.

Variations in pants include how baggy the garments are, how long they are, how wide the waistline is and how the waist is cinched closed.

This example is for ‘pajama pants’ style pants with enclosed feet.  Constructed from a medium cotton material with a drawstring closure for the waist.  The pants are made in 2 parts with the seams sewn up the inside of either leg and then the legs are sewn together with one crotch seam.  The top of the pants are folded over to form the channel for the drawstring.  This version may be slightly tighter than how some people construct them.     

Enclosing the feet allows for pants like this to be a simplified replacement for hosen, joined hosen or some of the other enclosed pants.  Although probably an oversimplification, it is an easily constructed garment and can serve as a placeholder until one learns to ‘drape’ a pattern for hosen. Patterns are easily generated by laying an example of a normal pajama pants that fit the person on a folded pieces of paper. The pants are sewn long and the parts extending over the feet are pinned, resewn and trimmed until they fit.  Care must be taken to leave the pants loose enough to pull over the feet. 

Inspiration Images

Common Materials

  • Fabrics:
    • Wool  

Effective Substitutions

  • Fabrics:
    • Wool blends
    • linen blends
    • Linen
    • wool
    • cotton
    • cotton blends

Ensemble Components

Accessories

Source/Links

Greek vase showing Amazon wearing trousers Marie-Lan Nguyen (2007)

British Museum, CC BY 2.5 <https://creativecommons.org/licenses/by/2.5&gt;, via Wikimedia Commons

Version1
date12/25/2021
Source of Period PicBritish Museum, Amazon wearing trousers
Model Vincent de Vere
PhotographerVincent De Vere
  
Component Entry, Male

Damendorf Trousers 1

deveretallier
TitleDamendorf Trousers 1
Entry #GGC2021.007
Alternate NamesTrews, PJ pants, hose   
Year100-300 CE
Time range100-300 CE
EraIron Age
Genderunisex
regionEuropean
Countries/culturesGermany, Western European, Central European
MakerVincent De Vere,
Difficulty2
ConfidenceExtant Example

Intro:

Modified example of trousers found in a bog in Germany with a tailored construction and attached feet              

Description:

An extant example of trousers found in a bog near Damendorf, Rendsburg Eckerförde, Germany dated from between 100’s and 300’s CE. 

This style of pants are more complicated than the regular SCA ‘poofy pants’ that many people start out with.  There are some places online where the patterns can be found or even purchased.  This pattern has been modified from the extant example by leaving the two triangular gussets connected to the back panel.

Inspiration Images

Common Materials

  • Fabrics:
    • Wool  

Effective Substitutions

  • Fabrics:
    • Wool blends
    • linen blends
    • Linen
    • wool
    • cotton
    • cotton blends

Ensemble Components

The Damendorf Man was found with leather shoes, leg wraps and a leather belt.  This would also likely go with one or more tunics

Accessories

  • The Damendorf Man was found with leather shoes, leg wraps and a leather belt

Source/Links

. Archäologisches Landesmuseum Schloss Gottorf in Schleswig. Photo by by Andreas Franzkowiak

Version1
date12/25/2021
Source of Period Pic. Archäologisches Landesmuseum Schloss Gottorf in Schleswig. Photo by by Andreas Franzkowiak
Model Vincent de Vere
PhotographerVincent De Vere
  
Full Entry, Male

600 CE Norse Klappenrock over Tunic

deveretallier
Title600 CE Norse Klappenrock over Tunic
Entry #GGB2021.0005
Alternate Names Klappenrock, warriors coat, Viking coat
Year600 CE
Time range600 – 900 CE
EraEarly medieval
GenderMale
regionNorthern Europe
Countries/culturesNorse, Viking
MakerVincent De Vere, Kristine nic Tallieur
Difficulty2
ConfidenceImage examples/ fragmentary evidence

Intro:

A tunic and an outer layer coat associated with Norse cultures.  The front panels cross over each other and the coat is held closed with a belt.  Often trimmed with tablet woven trim and possibly fur. 

Description:

Wool coat lined with linen decorated with a tablet woven band.  The coat is shown over a Bocksten style tunic and under tunic.  Often associated with fragments found in Haithabu

Inspiration Images

Common Materials

  • Fabrics:
    • Wool 2/2 twill
    • cross twill
    • diamond twill
    • herringbone twill
    • wool that could be lined with will or linen. 
  • Ornamentation:
    • Tablet woven trim in wool, linen, or silk. Possibly brocaded with metal.
    • Embroidery

Effective Substitutions

  • Fabrics:
    • Wool blends
    • linen blends
  • Ornamentation:
    • Appropriately patterned commercially woven trim
    • Inkle-woven Trim
    • Tablet woven trim
    • Cotton or poly thread

Ensemble Components

  • Birka style coat
  • Bocksten cut tunic
  • Bocksten cut under tunic

  • Pants
  • Shoes

Accessories

  • Belt
  • pouch
  • Simple Hat
  • leg wraps

Source/Links

https://sites.google.com/site/archoevidence/home/viking-clothing-guides

Version2
date2/21/2021
Source of Period PicSutton Hoo Helm decoration, British museum 
Model 
PhotographerVincent De Vere
  

Full Entry, Male

1000 CE Norman Riding Tunic 2

deveretallier
Title: 1000 CE Norman Riding Tunic 2
Entry #: GGB2021.028
Alternate Names: tunic, t tunic 
Year: 1000
Time range: 900-1200 CE
Era: Early Medieval
Gender: Male
region: Western Europe
Countries/cultures: England France
Maker: Vincent De Vere, Kristine Nic Tallier
Difficulty: 2
Confidence: Image example

Intro:

A version of the basic tunic used in many European cultures from antiquity through to the high middle ages by some.  This tunic is split to allow wearer to ride a horse and have freedom of movement.

Description:

One of the many variations of the tunics made out of linen or wool. This example has a keyhole neck opening and featuring a split in front and back bottom to allow the wearer to ride a horse. 

This variation was cut T tunic style out of a wide piece of fabric to minimize seams. A more period cut would include seams connecting the sleeve to the body.  Trim is an applique of linen.  Keyhole neck is held closed with a brooch pin.  Tunics are about the easiest garments to construct.

Tunics are often the starting point for new members when just beginning in the SCA.  This tunic could be made for less than $20 in 2021.

Inspiration Images

Common Materials

  • Fabrics:
    • wool
    • linen (including non-flax linen)
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • Wool blends,
    • Linen, linen/rayon
    • linen/cotton
    • some cottons could be used but cotton broad cloth is not advised as it is not a strong material and doesn’t drape well
  • Ornamentation:

Ensemble Components

  • Under shirt (likely of a similar cut)
  • Belt
  • Pouch

New members often start with just a tunic and belt.

  • pants/trews/braccae
  • leg wraps
  • turn shoes/boots

Accessories

  • under tunic as bottom layer
  • belt
  • pants
  • over tunic or super tunic over the tunic
  • shoes
  • cloak or coat

Source/Links

http://www.virtue.to/articles/tunic_worksheet.html

http://alianorderavenglas.wordpress.com/as-50-challenge/13th-century-riding-tunic/

Version: 2
date: 3/1/2021
Source of Period Pic: Maciejowski Bible.
Model: Vincent De Vere
Photographer: Vincent De Vere
  

Female, Full Entry

1000 CE Finnish “Eura” Dress 5

deveretallier
Title: 1000 CE Finnish “Eura” Dress 5
Entry #: GGB2021.025
Alternate Names: Luistari in Eura – Grave #56 
Year: 1000 CE
Time range:
Era: Early Medieval
Gender: Female
region: Eastern Baltic
Countries/cultures: Baltic Tribes – Finland
Maker: Vincent De Vere, Zaneta Baseggio, Kristine Nic Tallieur
Difficulty: 2
Confidence: Remains of Extant example

Intro:

A fragmentary grave find of a Finnish dress.  Style consists of an under tunic, an over dress of two rectangles of fabric and an apron.  The layers are decorated with tablet weaving and metal coils.  The grave find also was rich in metal artifacts

Description:

The complexity of this garment is in the decoration and accessories.  The basic garment layers are exceedingly simple.

Under tunic:  the base layer under tunic would most likely have been flax or nettle linen.  It consists of 6 pieces, front and back panels, under arm gores extending into the sleeves and the sleeves that extend from hand to neckline.

Overdress:  the over dress is related to other Norse dresses as well as stylistically similar to a peplos.  It is two rectangles that are folded over at the top, pinned at the shoulders and stitched or pinned at the sides. This layer is likely wool in a tabby weave and decorated by tablet weaving.

Apron: The apron is folded over a belt and was likely wool.  The notable thing about the aprons are their decorations made from coils of wire attached at the edges and along the bottom in a variety of styles and decorations. 

Accessories:

Metal coiled arm bracelets (a very close approximation was sold as costume jewelry recently and can still be found)

Necklace made from coins and lampwork beads

Knife sheath and “puco” knife

Eura is a region in south west Finland.  Many graves have been excavated in Luistari in the 1960’s and 70’s.  Fabric reminants were preserved due to oxides from the metal finds. Grave 56 was a focus of attention because the metal preserved enough of the fabric in key points to allow for a reconstruction with some certainty

Inspiration Images

Common Materials

  • Fabrics:
    • Under dress: linen
    • over dress: wool
    • apron: wool
  • Ornamentation:
    • tablet woven trim
    • brass and bronze alloy coils
    • glass beads

Effective Substitutions

  • Fabrics:
    • Cottons and linen blends for the under dress
    • wool blends or linens and linen blends for the over dress in summer
    • wool blends or linen and linen blends for the apron
    • Some analysis of the actual colors of the grave finds has been done.  SCA recreations commonly use colors that are available through natural dyes and are therefore plausible.
  • Ornamentation:

Ensemble Components

  • Underdress
  • Overdress
  • Apron
  • Belt

  • Optional Mantle (shawl)
  • Simple leather Shoes in the style of “bag shoes”
  • Metal and glass accessories

Accessories

  • Pair of brooch pins holding the overdress together at the shoulders
  • Rings
  • Knife and knife sheath

  • chains between the brooches
  • bracelets including the spiral bracelet
  • necklace made from coins and glass beads

Source/Links

http://www.katajahovi.org/en/costumes.html

http://www.vikinganswerlady.com/FTP_Files/Ancient_Finnish_Costumes.PDF

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent de Vere
  

Female, Full Entry

1000 CE Finnish “Eura” Dress 4

deveretallier
Title: 1000 CE Finnish “Eura” Dress 4
Entry #: GGB2021.024
Alternate Names: Luistari in Eura – Grave #56 
Year: 1000 CE
Time range:
Era: Early Medieval
Gender: Female
region: Eastern Baltic
Countries/cultures: Baltic Tribes – Finland
Maker: Vincent De Vere, Zaneta Baseggio, Kristine Nic Tallieur
Difficulty: 2
Confidence: Remains of Extant example

Intro:

A fragmentary grave find of a Finnish dress.  Style consists of an under tunic, an over dress of two rectangles of fabric and an apron.  The layers are decorated with tablet weaving and metal coils.  The grave find also was rich in metal artifacts

Description:

The complexity of this garment is in the decoration and accessories.  The basic garment layers are exceedingly simple.

Under tunic:  the base layer under tunic would most likely have been flax or nettle linen.  It consists of 6 pieces, front and back panels, under arm gores extending into the sleeves and the sleeves that extend from hand to neckline.

Overdress:  the over dress is related to other Norse dresses as well as stylistically similar to a peplos.  It is two rectangles that are folded over at the top, pinned at the shoulders and stitched or pinned at the sides. This layer is likely wool in a tabby weave and decorated by tablet weaving.

Apron: The apron is folded over a belt and was likely wool.  The notable thing about the aprons are their decorations made from coils of wire attached at the edges and along the bottom in a variety of styles and decorations. 

Accessories:

Metal coiled arm bracelets (a very close approximation was sold as costume jewelry recently and can still be found)

Necklace made from coins and lampwork beads

Knife sheath and “puco” knife

Eura is a region in south west Finland.  Many graves have been excavated in Luistari in the 1960’s and 70’s.  Fabric reminants were preserved due to oxides from the metal finds. Grave 56 was a focus of attention because the metal preserved enough of the fabric in key points to allow for a reconstruction with some certainty

Inspiration Images

Common Materials

  • Fabrics:
    • Under dress: linen
    • over dress: wool
    • apron: wool
  • Ornamentation:
    • tablet woven trim
    • brass and bronze alloy coils
    • glass beads

Effective Substitutions

  • Fabrics:
    • Cottons and linen blends for the under dress
    • wool blends or linens and linen blends for the over dress in summer
    • wool blends or linen and linen blends for the apron
    • Some analysis of the actual colors of the grave finds has been done.  SCA recreations commonly use colors that are available through natural dyes and are therefore plausible.
  • Ornamentation:

Ensemble Components

  • Underdress
  • Overdress
  • Apron
  • Belt

  • Optional Mantle (shawl)
  • Simple leather Shoes in the style of “bag shoes”
  • Metal and glass accessories

Accessories

  • Pair of brooch pins holding the overdress together at the shoulders
  • Rings
  • Knife and knife sheath

  • chains between the brooches
  • bracelets including the spiral bracelet
  • necklace made from coins and glass beads

Source/Links

http://www.katajahovi.org/en/costumes.html

http://www.vikinganswerlady.com/FTP_Files/Ancient_Finnish_Costumes.PDF

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent de Vere
  

Female, Full Entry

1000 CE Finnish “Eura” Dress 3

deveretallier
Title: 1000 CE Finnish “Eura” Dress 3
Entry #: GGB2021.023
Alternate Names: Luistari in Eura – Grave #56 
Year: 1000 CE
Time range:
Era: Early Medieval
Gender: Female
region: Eastern Baltic
Countries/cultures: Baltic Tribes – Finland
Maker: Vincent De Vere, Kristine Nic Tallieur, Marguerite des Baux
Difficulty: 4
Confidence: Remains of Extant example

Intro:

A fragmentary grave find of a Finnish dress.  Style consists of an under tunic, an over dress of two rectangles of fabric and an apron.  The layers are decorated with tablet weaving and metal coils.  The grave find also was rich in metal artifacts

Description:

The complexity of this garment is in the decoration and accessories.  The basic garment layers are exceedingly simple.

Under tunic:  the base layer under tunic would most likely have been flax or nettle linen.  It consists of 6 pieces, front and back panels, under arm gores extending into the sleeves and the sleeves that extend from hand to neckline.

Overdress:  the over dress is related to other Norse dresses as well as stylistically similar to a peplos.  It is two rectangles that are folded over at the top, pinned at the shoulders and stitched or pinned at the sides. This layer is likely wool in a tabby weave and decorated by tablet weaving.

Apron: The apron is folded over a belt and was likely wool.  The notable thing about the aprons are their decorations made from coils of wire attached at the edges and along the bottom in a variety of styles and decorations. 

Accessories:

Metal coiled arm bracelets (a very close approximation was sold as costume jewelry recently and can still be found)

Necklace made from coins and lampwork beads

Knife sheath and “puco” knife

Eura is a region in south west Finland.  Many graves have been excavated in Luistari in the 1960’s and 70’s.  Fabric reminants were preserved due to oxides from the metal finds. Grave 56 was a focus of attention because the metal preserved enough of the fabric in key points to allow for a reconstruction with some certainty

Inspiration Images

Common Materials

  • Fabrics:
    • Under dress: linen
    • over dress: wool
    • apron: wool
  • Ornamentation:
    • tablet woven trim
    • brass and bronze alloy coils
    • glass beads

Effective Substitutions

  • Fabrics:
    • Cottons and linen blends for the under dress
    • wool blends or linens and linen blends for the over dress in summer
    • wool blends or linen and linen blends for the apron
    • Some analysis of the actual colors of the grave finds has been done.  SCA recreations commonly use colors that are available through natural dyes and are therefore plausible.
  • Ornamentation:

Ensemble Components

  • Underdress
  • Overdress
  • Apron
  • Belt

  • Optional Mantle (shawl)
  • Simple leather Shoes in the style of “bag shoes”
  • Metal and glass accessories

Accessories

  • Pair of brooch pins holding the overdress together at the shoulders
  • Rings
  • Knife and knife sheath

  • chains between the brooches
  • bracelets including the spiral bracelet
  • necklace made from coins and glass beads

Source/Links

http://www.katajahovi.org/en/costumes.html

http://www.vikinganswerlady.com/FTP_Files/Ancient_Finnish_Costumes.PDF

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent de Vere
  

Female, Full Entry

1000 CE Finnish “Eura” Dress 2

deveretallier
Title: 1000 CE Finnish “Eura” Dress 2
Entry #: GGB2021.022
Alternate Names: Luistari in Eura – Grave #56 
Year: 1000 CE
Time range:
Era: Early Medieval
Gender: Female
region: Eastern Baltic
Countries/cultures: Baltic Tribes – Finland
Maker: Vincent De Vere, Zaneta Baseggio, Kristine Nic Tallieur
Difficulty: 4
Confidence: Remains of Extant example

Intro:

A fragmentary grave find of a Finnish dress.  Style consists of an under tunic, an over dress of two rectangles of fabric and an apron.  The layers are decorated with tablet weaving and metal coils.  The grave find also was rich in metal artifacts

Description:

The complexity of this garment is in the decoration and accessories.  The basic garment layers are exceedingly simple.

Under tunic:  the base layer under tunic would most likely have been flax or nettle linen.  It consists of 6 pieces, front and back panels, under arm gores extending into the sleeves and the sleeves that extend from hand to neckline.

Overdress:  the over dress is related to other Norse dresses as well as stylistically similar to a peplos.  It is two rectangles that are folded over at the top, pinned at the shoulders and stitched or pinned at the sides. This layer is likely wool in a tabby weave and decorated by tablet weaving.

Apron: The apron is folded over a belt and was likely wool.  The notable thing about the aprons are their decorations made from coils of wire attached at the edges and along the bottom in a variety of styles and decorations. 

Accessories:

Metal coiled arm bracelets (a very close approximation was sold as costume jewelry recently and can still be found)

Necklace made from coins and lampwork beads

Knife sheath and “puco” knife

Eura is a region in south west Finland.  Many graves have been excavated in Luistari in the 1960’s and 70’s.  Fabric reminants were preserved due to oxides from the metal finds. Grave 56 was a focus of attention because the metal preserved enough of the fabric in key points to allow for a reconstruction with some certainty

Inspiration Images

Common Materials

  • Fabrics:
    • Under dress: linen
    • over dress: wool
    • apron: wool
  • Ornamentation:
    • tablet woven trim
    • brass and bronze alloy coils
    • glass beads

Effective Substitutions

  • Fabrics:
    • Cottons and linen blends for the under dress
    • wool blends or linens and linen blends for the over dress in summer
    • wool blends or linen and linen blends for the apron
    • Some analysis of the actual colors of the grave finds has been done.  SCA recreations commonly use colors that are available through natural dyes and are therefore plausible.
  • Ornamentation:

Ensemble Components

  • Underdress
  • Overdress
  • Apron
  • Belt

  • Optional Mantle (shawl)
  • Simple leather Shoes in the style of “bag shoes”
  • Metal and glass accessories

Accessories

  • Pair of brooch pins holding the overdress together at the shoulders
  • Rings
  • Knife and knife sheath

  • chains between the brooches
  • bracelets including the spiral bracelet
  • necklace made from coins and glass beads

Source/Links

http://www.katajahovi.org/en/costumes.html

http://www.vikinganswerlady.com/FTP_Files/Ancient_Finnish_Costumes.PDF

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent de Vere
  

Female, Full Entry

1000 CE Finnish “Eura” Dress 1

deveretallier
Title: 1000 CE Finnish “Eura” Dress 1
Entry #: GGB2021.021
Alternate Names: Luistari in Eura – Grave #56 
Year: 1000 CE
Time range:
Era: Early Medieval
Gender: Female
region: Eastern Baltic
Countries/cultures: Baltic Tribes – Finland
Maker: Vincent De Vere, Zaneta Baseggio, Kristine Nic Tallieur
Difficulty: 4
Confidence: Remains of Extant example

Intro:

A fragmentary grave find of a Finnish dress.  Style consists of an under tunic, an over dress of two rectangles of fabric and an apron.  The layers are decorated with tablet weaving and metal coils.  The grave find also was rich in metal artifacts

Description:

The complexity of this garment is in the decoration and accessories.  The basic garment layers are exceedingly simple.

Under tunic:  the base layer under tunic would most likely have been flax or nettle linen.  It consists of 6 pieces, front and back panels, under arm gores extending into the sleeves and the sleeves that extend from hand to neckline.

Overdress:  the over dress is related to other Norse dresses as well as stylistically similar to a peplos.  It is two rectangles that are folded over at the top, pinned at the shoulders and stitched or pinned at the sides. This layer is likely wool in a tabby weave and decorated by tablet weaving.

Apron: The apron is folded over a belt and was likely wool.  The notable thing about the aprons are their decorations made from coils of wire attached at the edges and along the bottom in a variety of styles and decorations. 

Accessories:

Metal coiled arm bracelets (a very close approximation was sold as costume jewelry recently and can still be found)

Necklace made from coins and lampwork beads

Knife sheath and “puco” knife

Eura is a region in south west Finland.  Many graves have been excavated in Luistari in the 1960’s and 70’s.  Fabric reminants were preserved due to oxides from the metal finds. Grave 56 was a focus of attention because the metal preserved enough of the fabric in key points to allow for a reconstruction with some certainty

Inspiration Images

Common Materials

  • Fabrics:
    • Under dress: linen
    • over dress: wool
    • apron: wool
  • Ornamentation:
    • tablet woven trim
    • brass and bronze alloy coils
    • glass beads

Effective Substitutions

  • Fabrics:
    • Cottons and linen blends for the under dress
    • wool blends or linens and linen blends for the over dress in summer
    • wool blends or linen and linen blends for the apron
    • Some analysis of the actual colors of the grave finds has been done.  SCA recreations commonly use colors that are available through natural dyes and are therefore plausible.
  • Ornamentation:

Ensemble Components

  • Underdress
  • Overdress
  • Apron
  • Belt

  • Optional Mantle (shawl)
  • Simple leather Shoes in the style of “bag shoes”
  • Metal and glass accessories

Accessories

  • Pair of brooch pins holding the overdress together at the shoulders
  • Rings
  • Knife and knife sheath

  • chains between the brooches
  • bracelets including the spiral bracelet
  • necklace made from coins and glass beads

Source/Links

http://www.katajahovi.org/en/costumes.html

http://www.vikinganswerlady.com/FTP_Files/Ancient_Finnish_Costumes.PDF

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent de Vere
  

Component Entry, Female, Male, Unisex

Belt, Tablet woven 1 with garters

deveretallier
TitleBrocaded tablet woven belt and garters Belt with Reproduction Buckle
Entry #GGC2021.034
Alternate NamesBelt, Girdle
Year1275
Time range1200-1300
EraHigh Medieval
GenderUnisex
regionEurope
Countries/culturesEurope
MakerKristine nic Tallieur,
Difficulty5
ConfidenceExtant fragment

Intro:

 Various belts.      

Description:

This is a tablet woven belt made in two layers.  The outer layer is cotton with mylar wrapped thread that emulates gold thread used in period weaving. The images woven into the belt using a brocade technique.   The belt is woven in two parts with a cotton inner belt and the layers are sewn together. The buckle is a reproduction of a 1200-1300’s buckle found in the Budapest Museum of History, Nomad hall purchased from a reenactor vendor.      

The garters are made in the same manner. 

Inspiration Images

Common Materials

  • Fabrics:
    • Linen, silk, gold wire, bronze/copper alloy
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • Silk, cotton, linen, wool, mylar thread, brass, bronze
  • Ornamentation:

Ensemble Components

Accessories

  • buckle copy of one found in Hungary, 13-14 c. Stored in Budapest Museum of History, Nomad hall

Source/Links

Cleveland Museum of Art, CC0, via Wikimedia Commons https://commons.wikimedia.org/wiki/File:Italy,_Sicily,_end_of_11th_century_-_Two_Galloon_Fragments_Mounted_Together_-_1940.492.a_-_Cleveland_Museum_of_Art.tif

Version1
date1/9/2022
Source of Period PicWikipedia commons, Cleveland Museum of Art
Model 
PhotographerVincent De Vere