|Title: 900 CE Jorvic York Hangeroc Ensemble 2|
|Entry #: GGA2021.009|
|Alternate Names: Apron Dress|
|Time range: 900-1000CE|
|Era: Early Medieval|
|region: Western European|
|Countries/cultures: Norse, Viking, England|
|Maker: Æsa Helgulfsdottir|
|From: Barony of Endless Hills, Æthelmearc|
|Confidence: Speculative Reconstruction|
These entries are taken from the participants in the Calontir Clothing Challenge (C3) which ran from 10/1/2020-1/31/2021. The C3 challenged artisans to make a 4-layer outfit over a four month period, three of which were clothing layers and the fourth an “accessory” (widely defined to include anything that displayed a non-sewing skill), while documenting their work. Entrants ranged from beginners making their first outfits to experienced members.
Because of how these were received, they will be in a different format to other entries.
About Æsa: I’ve been in the SCA for about 13 years. While I love sewing, I also enjoy playing with other skills like archery, knife and axe throwing, fiber arts, basket weaving, herbalism, soap making, pottery and brewing/cooking. I love acquiring skills that a Viking wife would have used in her everyday life. While the sewing aspects of the garments will not be difficult, historical clothing can sometimes present challenges as I am paralyzed. I often have to strike a balance between something that looks as correct as possible while also being comfortable, allowing for medical restrictions and not hindering my wheelchair’s movement.
I’m hoping to create an ensemble that would have been worn by the Norse wife of a fairly well-off land owner in 10th century Jorvik. The piece is not based on any single burial find, but takes inspiration from several. The plan is for wool stockings, a linen underdress, a woolen dress and apron with jewelry and a head covering. The goal is to spin and weave a component of the ensemble.
I’m very happy with my final project! When I started the dress concept in October, I was trying to envision what would look good photographed in a bleak January landscape (Pennsylvania can be pretty dreary this time of year!). I had many moments during the challenge where I questioned the decision to leave my designs simple and the colors natural, but in the end I’m very happy that I stuck to my original plan. It turned out exactly as I wanted it to.
Complete Outfit Images:
seams and tacked them down using a running stitch and matching threads. For my stockings, I struggled a little deciding what to make. Many of the current interpretations from archeological finds seem to have a seam running along the sole of the foot, which I was afraid would be very irritating as I have some nerve issues from the paralysis. I also knew that I wanted the stockings to end below the knee, as I didn’t want to have any fabric bunched behind the knee as my legs are always bent. In the end, I used a pattern that I had drafted about ten years ago from “The Medieval Tailor’s Assistant” as I knew that it was comfortable to wear. The stockings were made from brown wool flannel, hand sewn and the seams were tacked down using a running stitch in contrasting thread.
The second layer is a simple gown made of Shetland wool in a diamond twill. It’s a dress style and pattern that I’ve used many times before, so no issues! All the seams are handsewn and raw edges enclosed.
My third layer is an apron dress. The fabric was hand woven from yarn that I spun in my fiber mill. The center panel is dyed using walnut hulls. The dress is a simple tube construction with a little gathering in the front. I think that the tube style might be an issue if I was walking, but in the wheelchair it gathers the underdresses in and keeps them away from the tires very nicely! I had originally wanted to bind the top edge with more of the walnut dyed fabric, but it ended up being too bulky so I used the same wool as my stockings instead. I really liked the look of the felted fringe at the edge of the weaving, so I left it as the bottom of my dress.
The seams are handsewn; however, the fabric is a very loose weave and I did have trouble keeping the seams from unraveling. The fabric is thick enough that bound seams were becoming very bulky. Because getting dressed in the wheelchair can require a lot of tugging fabric into place, I reinforced a few of the seams on my sewing machine. This is the only machine sewing in the entire project.
My judged accessory is a willow and oak basket. The most explanation that I could find on viking baskets that were not the Gokstad backpack was the following reference “Round and square basket bases were found in the Scandinavian settlement in York, England, then known as “Jorvik.” The bases have holes around the perimeter, indicating that sticks or reeds may have been seated there, serving as the vertical staves to support the horizontally-woven bands.”
My husband cut and drilled the oak base for me, as the majority of our woodworking tools are in the basement which is not wheelchair accessible. I soaked the willow for a week and then wove the basket using a 3 rod wale for the bottom and top edges and a single plain weave for the body. I’ve made baskets before, but this was my first willow basket and my first with a solid base.
Additional accessories include:
A handwoven shawl from Shetland wool. I spun the yarn in my fiber mill.
A headscarf of linen, lightly dyed with walnut.
A Jorvik cap, handsewn from linen I wove on a ground loom many Pennsics ago.
A leather knife sheath with sterling silver embellishments.
A necklace of carnelian and crystal quartz with bronze additions.
|Source of Period Pic:|
|Model: Æsa Helgulfsdottir|
|Photographer: Æsa Helgulfsdottir|