Tag: 1400

Full Entry, Male

1350 CE Male Cotehardie 1

deveretallier
Title: 1350 CE Male Cotehardie 1
Entry #: GGB2021.054
Alternate Names: Cote 
Year: 1350 CE
Time range: 1340-1400 CE
Era: High Medieval
Gender: Male
region: Western europe, central europe
Countries/cultures: France, England, germany
Maker: Vincent de Vere
Difficulty: 2
Confidence: Image Example

Intro:

Fitted male coat forming the outer layer or the middle layer of an ensemble

Description:

In some areas in Western Europe, male garments became more fitted in the 1300s. The unfitted cotes became the tailored and fitted cotehardies. Layers associated with cotehardies would be a linen undershirt, sometimes an early form of the doublet and braies and hosen.  Layers over the cotehardie could be gowns and houppelandes

In some cases the cotehardies are shorter to the point of reaching just to the crotch depth.  Others are seen longer to the point of knee length. Some have decorative dagged edges.  They often feature a large number of closely spaced buttons  

Male cotehardies could have long or shorter sleeves including short sleeves showing off the doublet below, sometimes featuring sleeve streamers. The sleeves of the cotehardie or the layer under the cotehardie are very tight.

This cotehardie is an earlier style of the garment patterned off of the men’s wedding garment from the wedding of Nicolo da Bologna, being knee length and not overly tight below the waist line and a with a matching hood.  This garment is parti colored made from brocaded cotton fabric with silk trim.

Inspiration Images

Common Materials

  • Fabrics:
    • Wool
    • silks
    • brocades
    • velvets
  • Ornamentation:
    • cloth or metal buttons

Effective Substitutions

  • Fabrics:
    • cottons
    • linens
    • linen blends
    • wool blends
  • Ornamentation:

Ensemble Components

  • linen undershirt
  • likely an early form of the doublet
  • .  Turn shoes, slippers or low boots

  • braies and hosen
  • Layers over the cotehardie could be gowns and houppelandes

Accessories

  • low slung belts, around the hips
  • pouches
  • garters
  • hood

Source/Links

http://www.chesholme.com/wfiles/2-1-Cotehardie.pdf

http://starsandgarters.org/2020/10/04/patterning-fitted-garments/

Version: 2
date: 2/26/21
Source of Period Pic: http://en.wikipedia.org/wiki/File:Bologna_marriage_men.jpg
Model:
Photographer: Vincent de Vere
  

Female, Full Entry

1370 CE Female, Cotehardie 6

deveretallier
Title: 1370 CE Female, Cotehardie 6
Entry #: GGB2021.052
Alternate Names: Gothic Fitted Dress 
Year: 1370
Time range: 1350-1400 CE
Era: High Medieval
Gender: Female
region: Western europe, central europe
Countries/cultures: France, England,
Maker: Vincent de Vere
Difficulty: 2
Confidence: Image Examples

Intro:

Fitted female garment forming an outer or middle layer.  

Description:

 As female garments became more fitted in the 1300s the unfitted tunic like dresses became more tailored and fitted. 
 A loose shift or slip like garment could be worn as a base layer.  There is limited evidence for underwear.  The bust could be supported with just the fitted layers.
 A kirtle layer worn between the shift and the cotehardie could be laced up the front and the sleeves could be buttoned or laced.  The kirtle layer is often fitted as to be supportive in the bust and not as long as the cotehardie layer. 
 The cotehardie layer over the kirtle later adds to the support of the bust line.  The neck line could be plunging or more modest.  The dress is often shown with a large number of closely spaced buttons on a front closure. The sleeves could be short, short with sleeve streamers (a very stereotypical cotehardie look) or longer.  Some examples extend over the hand almost to the fingers.  The cotehardie layer would be floor length.  The belt is often shown slung low on the hips.

This example is a Red Linen cotehardie over a white kirtle

Inspiration Images

Common Materials

  • Fabrics:
    • fine cloths
    • silks
    • brocades
    • fine wools
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • Silks
    • linens
    • linen blends with rayon or cotton
    • brocades.
    • Some cotton poly brocades can work to mimic the look of rich brocades, but the higher the poly content the more unpleasant the garment is to wear.
  • Ornamentation:

Ensemble Components

  • Slip/shift
  • Kirtle Cotehardie
  • purse

  • coifs/undercaps/hoods
  • belt
  • turnshoes

Accessories

Source/Links

http://www.chesholme.com/wfiles/2-1-Cotehardie.pdf

http://starsandgarters.org/2020/10/04/patterning-fitted-garments/

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent De Vere
  

Full Entry, Male

1350 CE Male Cotehardie 7

deveretallier
Title: 1350 CE Male Cotehardie 7
Entry #: GGB2021.060
Alternate Names: Cote 
Year: 1350 CE
Time range: 1340-1400 CE
Era: High Medieval
Gender: Male
region: Western europe, central europe
Countries/cultures: France, England, germany
Maker: Vincent de Vere
Difficulty: 3
Confidence: Image Example

Intro:

Fitted male coat forming the outer layer or the middle layer of an ensemble

Description:

In some areas in Western Europe, male garments became more fitted in the 1300s. The unfitted cotes became the tailored and fitted cotehardies. Layers associated with cotehardies would be a linen undershirt, sometimes an early form of the doublet and braies and hosen.  Layers over the cotehardie could be gowns and houppelandes

In some cases the cotehardies are shorter to the point of reaching just to the crotch depth.  Others are seen longer to the point of knee length. Some have decorative dagged edges.  They often feature a large number of closely spaced buttons  

Male cotehardies could have long or shorter sleeves including short sleeves showing off the doublet below, sometimes featuring sleeve streamers. The sleeves of the cotehardie or the layer under the cotehardie are very tight.

This cotehardie is brocaded fabric with a silk lining featuring a flared skirt

Inspiration Images

Common Materials

  • Fabrics:
    • Wool
    • silks
    • brocades
    • velvets
  • Ornamentation:
    • cloth or metal buttons

Effective Substitutions

  • Fabrics:
    • cottons
    • linens
    • linen blends
    • wool blends
  • Ornamentation:

Ensemble Components

  • linen undershirt
  • likely an early form of the doublet
  • .  Turn shoes, slippers or low boots

  • braies and hosen
  • Layers over the cotehardie could be gowns and houppelandes

Accessories

  • low slung belts, around the hips
  • pouches
  • garters
  • hood

Source/Links

http://www.chesholme.com/wfiles/2-1-Cotehardie.pdf

http://starsandgarters.org/2020/10/04/patterning-fitted-garments/

Version: 2
date: 2/26/21
Source of Period Pic: http://en.wikipedia.org/wiki/File:Bologna_marriage_men.jpg
Model:
Photographer: Vincent de Vere
  

Full Entry, Male

1300 CE Male Linen Cote

deveretallier
Title: 1300 CE Male Linen Cote
Entry #: GGB2021.045
Alternate Names: Gown, Frock coat, Tunic, over tunic, 
Year: 1300 CE
Time range: 1100-1400 CE
Era: High medieval
Gender: Male
region: Europe
Countries/cultures: Europe
Maker:
Difficulty: 2
Confidence: Image Examples

Intro:

A loose tunic like garment with buttons at the neck and cuffs bloused over a belt. Extending from below the waste to below the knee with long sleeves.

Description:

This garment, or variations of it can be seen in many paintings and illustrations that cross over several regions and time frames.  People from many stations in society use this functional garment, from laborers to merchants and higher. Varying slightly from its beginnings before 1100CE and fading in fashion for all but laborers late in period.

In general it is slightly more tailored tunic with the neck hole held closed by use of buttons rather than the earlier broaches.  Buttons may just close the neck hole, extend part way down the chest or to the bottom of the garment.  The cut is usually full producing a baggy garment belted at the waste and bloused over the belt.  Some assign the length of the garment to station, with average workmen wearing it shorter to the more wealthy merchants wearing a longer garment.

Likely worn with an undershirt and in some cases a simple doublet as well as hosen or trews.

Sometimes underrepresented in the SCA, cotes can easily produce a medieval look with an easily constructed garment.

This example is a loose tunic like cote with buttons at the neck and cuffs bloused over a belt. Worn with riding boots.  A heraldic patch can be seen on the chest.

Inspiration Images

Common Materials

  • Fabrics:
    • wool
    • linen
    • brocades
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • wool blends
    • linen blends
    • cottons
    • lighter weight upholstery fabrics that simulate period patterns
  • Ornamentation:

Ensemble Components

  • Cote
  • under tunic
  • possibly a doublet

  • pants or breis/hosen
  • Could be covered by a surcote

Accessories

  • hat
  • shoes
  • belt
  • pouch

Source/Links

Version: 2
date: 2/25/2021
Source of Period Pic: http://en.wikipedia.org/wiki/File:48-aspetti_di_vita_quotidiana_ubriachezza_Taccuino_Sanitatis_Shoes.jpg
Model: Thaddeus Ellenbock
Photographer: Vincent de Vere
  

Female, Full Entry

1370 CE Female, Cotehardie 7

deveretallier
Title: 1370 CE Female, Cotehardie 7
Entry #: GGB2021.053
Alternate Names: Gothic Fitted Dress 
Year: 1370
Time range: 1350-1400 CE
Era: High Medieval
Gender: Female
region: Western europe, central europe
Countries/cultures: France, England,
Maker: Vincent de Vere
Difficulty: 3
Confidence: Image Examples

Intro:

Fitted female garment forming an outer or middle layer.  

Description:

Gold silk cotehardie shown here without a kirtle
 As female garments became more fitted in the 1300s the unfitted tunic like dresses became more tailored and fitted. 
 A loose shift or slip like garment could be worn as a base layer.  There is limited evidence for underwear.  The bust could be supported with just the fitted layers.
 A kirtle layer worn between the shift and the cotehardie could be laced up the front and the sleeves could be buttoned or laced.  The kirtle layer is often fitted as to be supportive in the bust and not as long as the cotehardie layer. 
 The cotehardie layer over the kirtle later adds to the support of the bust line.  The neck line could be plunging or more modest.  The dress is often shown with a large number of closely spaced buttons on a front closure. The sleeves could be short, short with sleeve streamers (a very stereotypical cotehardie look) or longer.  Some examples extend over the hand almost to the fingers.  The cotehardie layer would be floor length.  The belt is often shown slung low on the hips.

Inspiration Images

Common Materials

  • Fabrics:
    • fine cloths
    • silks
    • brocades
    • fine wools
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • Silks
    • linens
    • linen blends with rayon or cotton
    • brocades.
    • Some cotton poly brocades can work to mimic the look of rich brocades, but the higher the poly content the more unpleasant the garment is to wear.
  • Ornamentation:

Ensemble Components

  • Slip/shift
  • Kirtle Cotehardie
  • purse

  • coifs/undercaps/hoods
  • belt
  • turnshoes

Accessories

Source/Links

http://www.chesholme.com/wfiles/2-1-Cotehardie.pdf

http://starsandgarters.org/2020/10/04/patterning-fitted-garments/

Version: 2
date: 2/26/2021
Source of Period Pic:
Model:
Photographer: Vincent De Vere
  

Full Entry, Male

1380 CE Male Houppelande 1

deveretallier
Title1380 CE Male Houppelande 1
Entry #GGB2021.062
Alternate Names Gown, houpelande, poun, pellanda
Year1380
Time range1360-1430
EraLate Medieval
GenderMale
regionWestern Europe
Countries/culturesEngland, France
MakerRobert Rubow
Difficulty5
ConfidenceImage Examples

Intro:

The houppelande is an outermost layer of dress, which was worn by middle-to-upper classes, both men and women. It was worn over a more fitted undergarment. It is identified by volumes of fabric neatly pleated into a belt, and visually balanced by a large hat.

Description:

Men wore varying lengths, depending on the fashion of the time and possibly the age of the wearer. Women wore them long, often breaking on the floor. Sleeve style varied by region and time as well, from a straight construction to wide and open, or wide and closed again at the wrist.

Necklines and sleeves started similar to cotehardies, and varied to high buttoned collars and folded down collars. Fabrics were colorful, sometimes brocaded, and often lined to contrast. Later, the female houppelande was tightened at the sleeve, a deep V left in the neck, and became the ‘Burgundian’ gown.

Layers under the Houppelande include base layers of shifts/under dresses, a kirtle or supportive layer, a cote, dress, gown or cotehardie layer and the outer houppelande

First seen in documentation in 1359 CE, the garments seem to have evolved from other outer wear such as garde-corps or herigauts, warm, billowy outer layers pulled over the head. 

Houppelande in pic is made from a rich brocade worn over a blue cotehardie

Inspiration Images

Common Materials

  • Fabrics:
    • wool
    • linen
    • silk
    • tabby and brocade patterning
  • Ornamentation:
    • embroidery
    • lined with contrasting fur

Effective Substitutions

  • Fabrics:
    • wool blends
    • linen
    • linen blends
    • cotton damasks
  • Ornamentation:
    • costume or fake fur
    • contrasting fabric

Ensemble Components

  • undershirt
  • doublet

  • cotehardie/cote/gown
  • braies/undergarments

Accessories

  • shoes with a point,
  • hose & garters
  • belt
  • hat

Source/Links

http://www.virtue.to/articles/circle_houp.html

http://medievalweddingdresses.ideasforweddings.net/wp-content/uploads/2009/05/houppelande3.jpg, http://www.flickr.com/photos/medievalarchive/2482968742/in/photostream/, http://www.flickr.com/photos/medievalarchive/2711997808/in/photostream/, http://www.flickr.com/photos/17024607@N08/2143873264, http://wp.bymymeasure.com/526/houppelande-belts-of-the-early-15th-century

Version2
date3/3/2021
Source of Period Pichttps://en.wikipedia.org/wiki/Houppelande#/media/File:Prayer_book_of_Maria_d’Harcourt_-_Staatsbibliothek_zu_Berlin_MsGermQuart42_-_f19v.jpg
ModelRobert Rubow
PhotographerVincent De Vere
  

Component Entry, Female, Male, Unisex

Belt with brass plaques reproduction buckle

deveretallier
TitleBelt with brass plaques reproduction buckle
Entry #GGC2021.032
Alternate NamesBelt
Year1300 CE
Time range1200-1400CE
EraHigh Medieval
GenderUnisex
regionEurope
Countries/culturesEurope
MakerVincent De Vere,
Difficulty2
ConfidenceExtant Example

Intro:

 Various belts.      

Description:

This is a narrow leather belt with preproduction buckle and tip purchased from an SCA merchant and the brass plaques are etched with various devices and batches associated with the owner

Inspiration Images

Common Materials

  • Fabrics:
    • Leather brass, bronze
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • Leather, brass
  • Ornamentation:

Ensemble Components

Accessories

Source/Links

The Portable Antiquities Scheme/ The Trustees of the British Museum, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

buckle and tip based on a Hungarian, c. 1275 Magyar Nemzeti Museum, Budapest belt tip and

Version1
date1/2/2022
Source of Period PicBritish Museum
Model 
PhotographerVincent De Vere
  
Component Entry, Unisex

Shoe, slip-on punched turn shoe 1

deveretallier
TitleShoe, slip-on punched turn shoe 1
Entry #GGC2022.019
Alternate NamesShoe, turn shoe,
Year1300 CE
Time range1100 BCE – 1400 CE
Eraall
Genderunisex
regionEurope
Countries/culturesEurope
MakerVincent De Vere,
Difficulty3
ConfidenceExtant Examples

Intro:

Slip on turn shoes with punched out decorations       

Description:

Low slip on shoes that are constructed from 2 pieces of leather. They are sewn inside out and then turned right side out, thus the common name of turn shoes.  Shoes like these, in one form or another, have been used throughout the period covered by the SCA

This pair of shoes is decorated by having a pattern of holes punched into the leather before assembling the shoe.  Shoes decorated with punch decorations have survived dating back to Roman times. Sets of shaped punches can be purchased online for not much and the punching of the leather adds less than an hour to the total construction time. 

Inspiration Images

Common Materials

  • Fabrics:
    • Leather. 
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • chrome tanned leather doesn’t shape and form that way oak tan/veg tan leather will.

Ensemble Components

Accessories

Source/Links

Wolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Stepping Through Time: Archaeological Footwear from Prehistoric Times until 1800, By Olaf Goubitz.  ISBN  9089320040 ISBN-13 ‏ : ‎ 978-9089320049

Version1
date1/9/2022
Source of Period PicWolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons, Kulturhistorisk Museum, Oslo, Norway. Medieval Exhibition
Model 
PhotographerVincent De Vere
  

Component Entry, Unisex

Shoe, slip-on low turn shoe 1

deveretallier
TitleShoe, slip-on low turn shoe 1
Entry #GGC2022.016
Alternate NamesShoe, turn shoe,
Year1300 CE
Time range1100 BCE – 1400 CE
Eraall
Genderunisex
regionEurope
Countries/culturesEurope
MakerVincent De Vere,
Difficulty3
ConfidenceExtant Examples

Intro:

Slip on turn shoes.

Description:

Low slip on shoes that are constructed from 2 pieces of leather. They are sewn inside out and then turned right side out, thus the common name of turn shoes.  Shoes like these, in one form or another, have been used throughout much of the period covered by the SCA.

This pair of shoes had a stiffening sole and tread glued to the shoe after construction.  Although this is a modern consideration, it was done for additional comfort and safety for use at events.  Accommodations like this are common in the SCA.

Inspiration Images

Common Materials

  • Fabrics:
    • Leather. 
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • chrome tanned leather doesn’t shape and form that way oak tan/veg tan leather will.

Ensemble Components

Accessories

Source/Links

Wolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Stepping Through Time: Archaeological Footwear from Prehistoric Times until 1800, By Olaf Goubitz.  ISBN  9089320040 ISBN-13 ‏ : ‎ 978-9089320049

Version1
date1/9/2022
Source of Period PicWolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons
Model 
PhotographerVincent De Vere
  

Component Entry, Unisex

Shoe, punched simplified shoe 2

deveretallier
TitleShoe, punched simplified shoe 2
Entry #GGC2022.021
Alternate NamesShoe, turn shoe,
Year1300 CE
Time range1100 BCE – 1400 CE
Eraall
Genderunisex
regionEurope
Countries/culturesEurope
MakerVincent De Vere,
Difficulty3
ConfidenceExtant Examples

Intro:

Slip on turn shoes with punched out decorations           

Description:

Low slip on shoes that are constructed from 2 pieces of leather. This simplified shoe construction doesn’t require the shoe to be turned inside out after constructing and it looks much like a turn shoe when worn. Shoes like these, in one form or another, have been used throughout the period covered by the SCA

This pair of shoes is decorated by having a pattern of holes punched into the leather before assembling the shoe.  Shoes decorated with punch decorations have survived dating back to Roman times. Sets of shaped punches can be purchased online for not much and the punching of the leather adds less than an hour to the total construction time. 

This simplified construction technique doesn’t actually produce a turn shoe and can produce a shoe much like the turn shoe and can use chrome tanned leather.

Inspiration Images

Common Materials

  • Fabrics:
    • Leather. 
  • Ornamentation:

Effective Substitutions

  • Fabrics:
    • This modification can work with chrome tanned leather. Oak tan/veg tan leather will work better.

Ensemble Components

Accessories

Source/Links

Wolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Stepping Through Time: Archaeological Footwear from Prehistoric Times until 1800, By Olaf Goubitz.  ISBN  9089320040 ISBN-13 ‏ : ‎ 978-9089320049

Version1
date1/9/2022
Source of Period PicWolfmann, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons, Kulturhistorisk Museum, Oslo, Norway. Medieval Exhibition
Model 
PhotographerVincent De Vere