Men’s over-garment characterized by the tunic like construction with side closures resulting in a more fitted silhouette. The attached skirts were full and shorter than floor length for men and the sleeves were commonly fitted above the elbow and trumpet shaped or widened out below the elbow.
Although similar to the basic t tunic dress the differences in the sleeves and the chest area distinguish them. The sleeves vary in style, but predominantly are characterized by the fitted upper sleeve and the widened lower sleeve. The lower sleeve by be in the form of a trumpet sleeve or as extreme as examples that drag the floor. A lined sleeve that could be turned back to expose an expensive inner liner would also be seen.
The other major distinguishing feature is the puckering of the fabric in the torso. There remains multiple ways to achieve this look, but many have had success by elongating the chest to waist length by some number of inches and by adding lacing on the side of the garment to achieve the fitted look. Most evidence of the style is found in areas of French fashion influence.
This bliaut is purple linen with embroidered applique around the keyhole neck.
- Some think images of fine pleats to represent silks
- fine wools
- rich fabrics perhaps linen
- linen blends
- wool blends muslin for undergarments
- a belt wrapped around the body
- pouch or purse
|Source of Period Pic: Historiated initial R from the frontispiece of a 12th-century manuscript of St. Gregory’s Moralia in Job, Dijon, Bibl. Municipale, MS 2|
|Photographer: Vincent De Vere|